Garbiñe Ortega

2025

Dirdira Lab is a training and development laboratory for artistic and experimental films aimed at filmmakers and producers looking for a space to work on their projects collectively alongside internationally renowned professionals.
This second edition of TRAMA explores the moving image and its relationship with other disciplines of art and thought. It therefore offers a programme centred on ecofeminism and environmental justice.
Faced with the constant destruction of diverse forms of life because of extractive policies, it is necessary to reflect collectively on restorative practices for what has been damaged. Chicana writer and activist Gloria Anzaldúa presents this exercise as an act of joining pieces together in a new way, as part of an ongoing process of doing and undoing. According to the author, there is no final resolution, only a process of permanent healing. This programme therefore invites us to focus our attention on ecocritical artistic research practices that expand and deepen our relationship with the land and the conflicts it is undergoing.

2024

2023

The contemporary series focuses on the exhibition artists: Ana Vaz, Ben Rivers, Apichatpong Weerasethakul and Eduardo Williams, who enter into dialogue with Bruce Baillie’s own films. The selected films propose a game, a possible conversation between the themes and sensitivities that they share with each other, such as the exploration of light and colour in nature, the fascination with new forms of freedom or the discovery of the most spiritual essence of things.

This historical series offers the opportunity to revisit the great fundamental classics of the American avant-garde (Maya Deren, Marie Menken, Bruce Conner or Larry Jordan) as well as films about the political and social movements of the time (Lenny Lipton, James Broughton, Tom Palazzolo, Dan Draisin), including great films made by a new generation of female filmmakers who brought a feminist look to a more personal and avant-garde cinema (Chick Strand, Alice Anne Parker, Gunvor Nelson, Janis Crystal Lipzin).
As part of the exhibition Full of Holes, the series Activating the Powers of Another Body invites participants to collectively “traverse” this journey, which includes screenings, listening sessions, performances, and meditations. While the first part of this series focuses on sight and relearning how to see, the second part explores the possibilities of sound, listening, and voice to create images and shape reality.

2022

2021

The complete program for the 2021 edition:

2020

The complete program for the 2020 edition:

2019

The complete program for the 2019 edition:

2018

The complete program for the 2018 edition:

2016

This program crosses part of the life and work of Bruce Baillie, the American Quijote whose mission has been always the search of the spiritual essence, beyond the surfaces, a world increasingly aligned and confused.
From the late 1950s until today, the American West coast has been the cradle of a major movement within avant-garde cinema. Centered around Canyon Cinema, one of the most important cooperatives distributing independent, avant-garde, underground or experimental film – co-founded in San Francisco by filmmakers Bruce Baillie and Chick Strand (both honoured by this program) – the West Coast scene was defined by its remarkable diversity of styles and subjects and was one of the principal agents of renewal in American cinema.

2015

2013

Programmed as a parallel activity to the exhibition Art and Artificial Life. LIFE 1999 – 2012, this series showcases great classics and contemporary films such as Kurt Neumann’s The Fly or Jean Painleve’s L’Hippocampe, to discuss the relationship, both beneficial and malevolent, between cinema and science, with special emphasis on the portrayal of genetics, robotics and artificial life.

2012

The series aims to provide a cinematic context for the years of development and evolution of Cubism with a wide program of films that transports us to early 20th-century Paris.

2011

According to announcements, the expansion of a new consciousness will soon arrive and we will be able to travel through new dimensions. This cycle brings us closer to four American filmmakers who wanted to experience it first through cinema.
Zoe Beloff acts as a medium between the real and the imaginary, and her unique, sometimes stereoscopic universe defines the relationship between the different invisible planes in which we live. Phil Solomon, a long-time collaborator of Stan Brakhage, uses numerous techniques to represent the reflective abstraction and emotion of those who are constantly searching. Robert Beavers elegantly combines the aesthetics of the natural world and art, and Nathaniel Dorsky manages to reveal the internal pulse of the elements and the cadence of Californian light, demonstrating that the experimental is not at odds with beauty.
Spanning four decades of Spanish non-fiction cinema, this series highlights the connections between generations, but also the abyss that exists because of the political history of this land. This array of portraits and explorations depicting collective and individual identity generates a vivid dialogue between works from the past – by filmmakers including Luis Buñuel and José Val del Omar – and a new generation that is working with a radically new digital language. With passion, irreverence, and irony filmmakers like Isaki Lacuesta, Joaquím Jordá, José Luis Guerin, León Siminiani, Pere Portabella, and Virginia García del Pino show us a provocative perspective on the other side of this old country.

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